Agra: Indian
sentiment is not against Pakistan because people in the country
are open to cultural exchanges with the neighbouring country, says
Ajeet Cour, the founder president of the Foundation of SAARC
Writers and Literature (FOSWAL)."
"When the National School of Drama refused to hold the performance
of Madeeha Gohar's play 'Kaun hai yeh ghustaakh?' it was the
people of Delhi who organized two shows for them instead of one,
Ajeet Cour told IANS in interview here.
"This is a secular and democratic country and people here
understand that differences between governments and armies should
not be allowed to interfere in the people-to-people contacts,"
Cour said.
The Foundation of SAARC Writers and Literature will organize the
SAARC Festival of Literature in Agra March 10-12.
Cour is a multi-facetted personality. An accomplished writer, she
presents in her writings a mix of realism, biting social
commentary and a masterful use of free indirect speech. Her
two-volume autobiography, "Homeless Nomads (English translation,
'Pebbles in a Tin drum') and "the Residue" (Khaana Badosh and
Koorha Kabaarha), tells the tale of her enduring odyssey -
literary, social and cultural. She is a peace activist and
promoter of literature in the South Asian region.
Cour says SAARC is not just about India and Pakistan.
"It encompasses eight countries. The aim of my Foundation is to
serve long-term goals. Sporadic incidents are not our concern, and
almost all the SAARC countries are today democratic, sovereign
nations. Each has a law of the land and is entitled to use it as
and when necessary," she said, adding that the literature from the
region reflected unique national issues of the respective nations.
Explaining the reason for choosing Agra as the venue of the SAARC
Literature Festival, she said the main reason of course was that
"Agra has one of the seven wonders of the world, the Taj Mahal,
and every visitor to this country wants to visit it".
Cour is proud of her role as a cultural bridge in the region.
"I am very proud of the fact that writers from all over the SAARC
countries treat me as an elder sister, the younger ones treat me
as a mother. They wish to avail my invitation, most send requests
to be included. It means they treat FOSWAL as a platform where
serious deliberations are held and, meaningful work in literature
is appreciated," she said.
Cour said the "facilitation of this sharing, I believe, has been
"my greatest achievement".
"Besides, of course, is the fact that I have slogged for more than
25 years to convince the powers that be that such track
II-initiatives are a necessary part of the peace process; that
culture is the backbone of friendship, and mutual co-existence is
something that only writers and artistes can talk about
convincingly," she said.
She clarified that the SAARC festival, unlike many others, was not
aimed at making headlines.
"We are trying to bring about slow, steady and sustainable
development in the field of writing," she said.
She said the Foundation had a chain of coordinators in each
country who recommend writers and encourage these writers "to send
us their works".
"The screening committee goes through these works and then we make
the final selection. However, we do keep languages in our mind
while we are selecting. South Asia has so many languages and we
try to have representatives from as many as possible each year.
When some language goes unrepresented we try to get a writer from
that language in the following year," Cour told IANS.
In response to a query on young writers in the region, Cour said
she was satisfied "that the bulk of writing has increased and so
many young people are indulging in creative writing".
(Brij Khandelwal can
be contacted at brij.k@ians.in)
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